The technical page, its, light and scene…
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On the stage...
Expect:
• 3 chairs without armrests for the musicians.
• 3 chairs or stools to ask their amps.
• Extension 1 block with 220V electrical strips 5 entries.
• 3 bottles of water during the concert.
The sound system in the Hall...
(to be borne by the organisers)
• Speakers and amplifications adapted to the configuration of the room.
• Mixing with if possible, 48v phantom power.
• (6 Provide inputs, and 2 to 3 departures ancillary effects and returns to scene)
• A Digital Reverb.
The sound system in the room...
(to be borne by the organisers)
• If possible return stage by musician
• 4 cables XLR from the front console:
• 1 micro without up to the vote, with a switch if possible.
• To amplify the violin, 4 opportunities:
- Resumed microwave up in front of the speaker of the amplifier AER* violinist
- Resumed with a XLR cable connected to the DI box incorporated into the amplifier AER* of violonist.
- Resumed micro static DPA* placed on the bridge of the violin with a XLR with 48V power.
- Resumption of cell SCHAERTLER* placed on the bridge of the violin with the help of a cable XLR and a DI box.
• For the amplification of the guitar solo, 2 opportunities:
- Resumed microwave up in front of the loudspeaker amplifier POLYTONE* of guitarist.
- Resumed with a cable XLR and a box of DI amplifier POLYTONE* du guitarist.
• For the amplification of the rhythm guitar, 2 possibilities:
- Resumed microwave up in front of the speaker of the amplifier AER* of guitarist.
- Resumed with a XLR cable connected to the DI box incorporated into the amplifier AER* of guitarist.
*Provided by musicians.
The Light...
No special requirements, if possible:
• Light atmosphere pointed at the 3 musicians (1 projector on each)
• Gelatins preferably color ochre, blue and red.
The musicians of the Little Orchestra Swing De France may also
Ensure concerts in small rooms without sound equipment, only with their amplifiers.
IMPORTANT NOTES ON TOUR ABROAD :
The constraints related to air travel often compel us to travel without our amps. We try to adapt to different configurations Material that we face from one city to another… We have the ability to connect our instruments live on your mixer installed on the stage. We can also make plug into amps available locally. We can also move with our small mixer and our reverberation
(Us before departure), it will be enough just to provide us with amplified speakers with cables, voice with a microphone cable. Solutions exist, we
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Stage, Sound and Light…
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